GoldWave Inc.

Another method should be a flanger effect, like the "double voice", applied on one channel only. With the slides you can adjust te effect, and with the first slide reduce or cancel completely the original sound.

Monitoring: I've first listened in loop around the section you indicated, then the whole file, but I haven't heard pops or clicks. No part of the file sounds clipped on my computer. Viewing graphs: On the waveform and X-Y graph, no trace of a previous clipping (the first would have shown a flattened...

To hear continuously, I suggest a right-click on the yellow play button to set it temporarily to «View».

If the acoustics of the all is dry enough (not too much reverb), to use the compressor in Goldwave can help a bit. However, it will be imperfect, because you will apply the level limitation to the whole ensemble, what solves only partly the problem and also can be easily heard. The "perfect&quo...

Twinsen wrote:(...)the Lowpass filter did a pretty good job. It sounds muffled, but it's much better than is the first place(...)

When a lot of treeble is removed, whatever be the reason why, it is indeed necessary, most of the times, to reduce the bass range to avoid this sensation of muffled.

You also can try a lowpass filter at the same limit than the mp3 reproduces the sounds. The improvement will be few, but the clipping is something almost impossible to correct.

In our little 16-bit world, the goal is to get as close as possible, without going over. But, the whole point of 24 bits is to leave some headroom for mixing (and maybe some room for effects too). Most of what I've read implies that 0dB is always clipping (full-scale). I know the pros are NOT worki...

To get two good channels : Channel Mix : Preset "mono left" If you apply that only from the moment where you get the problem, the change will be audible, maybe it can disturb for music For a fake stereo the operation is a bit complicate, here is my usual sequence: (Assuming that you have t...

I've read somewhere that the Wave files are limited to 4 GB, that is inherent to the wave format itself, not to the NTFS.

The best is to use a batch processing. For the batch processing in itself, I cannot help, I never use because spacialization (conversion from mono to fake stereo) must be processed one-by-one. For the content of the sequence, I can help more: 1) Offset adjustment 2) Matchmax 3) Match volume If you c...

For a good compression, better use a higher density and a thinner range. If you compress few on a wide range, some level variations may become audible. If you need to hear more the quieter parts on a clean manner, it is more complicate, the compression should be made multiband. This process leads al...

The wav format is similar to the audio CD format: there is no compression and it is lossless as long as you don't convert the sampling rate to a lower one. The sampling rate is the number of samples measured per second and determines the final quality. The mp3, m4a, and wma files are compressed form...

You can create a chorus effect by copying the voice in a new file, applying a slight change with the pitch, preserving tempo, and mixing the result slightly to the original, with care with the synchronization. There is also a flanger setting "classical" who can sound a bit similarly to a c...

You can create a chorus effect by copying the voice in a new file, applying a slight change with the pitch, preserving tempo, and mixing the result slightly to the original, with care with the synchronization. There is also a flanger setting "classical" who can sound a bit similarly to a c...

Something new I found today to drastically reduce aliasing, who works even better than the Real Player plugin used in Audacity... I have recorded a 45 rpm at 33 rpm sampled at 44100 Hz, then changed the playback rate to 59535 kHz. I resampled at 178605 Hz (3×59535) and resampled it again at 44100 Hz...